Film Reviews
Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.
Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
Shadow Brother Sunday accomplishes numerous feats, boasting pitch perfect performances, and Ehrenreich displays remarkable promise.
A prime example of what political cinema should be, Eros + Massacre is an intriguing and challenging work from one of Japanese’s singular talents.
Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.
“Peeping Tom,” now known as a cult classic, is a thrilling examination of the dangers inherent in making and watching moving pictures.
Saltburn will be divisive for many, but derivative for more.
“Pain Hustlers” is a decent film that is entertaining enough, yet it is met with the brutal truth of a pain fatigue within the industry.
Bonding is a stylish and intriguing short film that leaves the audience yearning for more.
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.
The League provides some much-needed context acting as a reminder of the conflicted roots within our nation.
Eli Roth’s Thanksgiving is a glorious return to his horror roots, a masterclass in skillfully-made, low-budget grindhouse terror.
The film has the action and entertainment of the previous installments with a new perspective — that of someone living in the Capitol.
This isn’t essential viewing, but as someone who thinks it’s perfectly okay to enjoy a messy movie, it’s fun and charming in the right places.