Film Reviews
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
There’s a lot of hard work under the hood of Gran Turismo that narrowly crosses the finish line of a compelling racing film.
Film at Lincoln Center and Subway Cinema are showcasing 24 films, a retrospective of Korean Cinema’s Golden Decade: The 1960s.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
The short film selection at Melbourne International Film Festival is never less than stellar and this year’s selection didn’t buck the trend.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
One of the biggest surprises of the 2023 HollyShorts Film Festival was its showcase of Adult Animation.
Before, Now & Then is a film that dares to ask this question and forces us to wrestle with the painful truth at the core of the answer.