Film Reviews
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
Time of Roses has a keen eye for design and tells a prescient tale of the lie that hides within “The End of History”.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
The Space Race captures the journey of space flight though the unrelenting spirit and resilience of the black community.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.
Kristy Strouse delivers her second report from Tribeca Film Festival 2023!