Film Reviews
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
Showing that love, life, and relationships are imperfect, Mark Schwab’s Brotherly Lies is a gripping indie drama about regret, desire, and trauma.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Hirokazu Kore-eda’s 2009 fantasy-romance Air Doll is an introspective film where a blow-up doll begins to turn into a living woman.
Dan Mirvish explores the mystery of the biggest political scandal in history through 18½, an engaging, quick-paced, and wonderfully comedic thriller.
Torn Hearts’ excellent female-led cast lead a fun, campy, psychological nightmare showing that the music industry can be killer.
Since I Been Down proves that sometimes real change can come from within and the resources we are given to work with.
Mondocane would be a much more entertaining film if one wasn’t struck by the strange feeling we’ve seen most of this before.
Montana Story is a film that tries to do a bit too much, but a pair of great performances and a core story makes it worth looking past its faults.
Unfortunately, Men starts as a very strong and legitimately scary exploration of heady issues but unravels in the final third act.
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
Where many have found immense success within the genre, Emerson Moore’s “Escape the Field” will be a film that falls quickly from memory.