Film Reviews
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
Stringing together multiple sources and influences, it is a spellbinding dance between Kashmir’s folkloric past and its tumultuous present.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
Superior is not without its flaws, and it wears its influences on its sleeve almost to a fault, but it’s still a worthwhile watch.
I Love My Dad is saddled with a competent, well-intentioned film that works better when being discussed than being watched.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.
The Torch is as inspiring as its legendary subject, working as part of the effort to keep the Blues heard and alive.
SXSW is now officially wrapped! Here in Kristy Strouse’s final report, we take a look at The Man Who Fell to Earth and two short films!
I Am Here is not a perfect film, but it accomplishes what it sets out to do, which is to allow the world to honor Ella Blumenthal and share her story.
In my fourth report from SXSW Film Festival 2022 I discuss the romance Stay the Night and horror Bitch Ass.
For her third report from the 2022 SXSW Film Festival, Kristy Strouse covers Spin Me Round, The Prank, and The Cow!
While the film does linger at times, underutilizing a few characters along the way, Fresh is a welcomed addition to the world of horror.
With her second report from this year’s SXSW Kristy Strouse covers A Vanishing Fog, Soft & Quiet and The Locust!