Film Reviews
The 2021 collection of New French shorts has a wide range of genres, from science-fiction to slice-of-life realism, and some wildly experimental animation.
Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
Directed by Zaida Bergroth, Tove allows the brilliant artist and author behind the Moomins to finally take center stage herself.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Mohammad Rasoulof’s There is No Evil is an excellent and riveting drama with a few divets holding it from perfection.
Paul Negoescu’s Two Lottery has a funny enough premise with a cast that knows how to play to one another’s strengths.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
The potential with this was promising, and yet they couldn’t quite make it work.
Despite its immense charm in its animation, music and characters, there are vital story elements in Arlo the Alligator Boy that are lacking.