Film Reviews
From this years South East European Film Festival Los Angeles, Kristy Strouse reviews Mare and Cream.
While lavish historical dramas laden with European accents are increasingly out of vogue with moviegoers, Queen Marie isn’t without its charms.
In spite of some reservations, and though it certainly demands patience, Hopper/Welles remains a treasure trove worthy of exploration.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
With lots to admire about the ambitious reimagining, including strong performances and visual flair, the modernization of this tale feels out of place.
Delivering solid and unforgettable performances from Glenn Close and Mila Kunis, Four Good Days is brilliantly done, and quietly effective.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
Stephanie Archer takes a look at 2021’s Oscar-Nominated Live Action Short Films.
Better Days often feels like an extremely bleak after-school special. But thanks to remarkable performances, it’s worth sticking with to the bitter end.