Film Reviews
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.
While we always talk about The Beatles and The Beach Boys, but the impactful legacy of The Ventures deserve their due.
The Xrossing steadily forms into a heartbreaking variation on familiar story beats that blends regional melodrama with a hard-edged crime-thriller.
The Jinkx & DeLa Holiday Special is a labor of yuletide love that shows the raw creativity and determination of queer performers.
The Cry of Jazz does not waste energy or time, and in doing so it succeeds in breaking through with its considerable strength.
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
My Prince Edward brings hope to anyone who yearns for cinema from one of Asia’s most iconic and special regions.
Black Bear goes to such lengths to get across a mundane idea that even its lack of meaning is forgivable in light of its wild viewing experience.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.