Film Reviews
In her last report from Sundance Film Festival, Kristy Strouse reviews four more, very different (tonally and subject-wise), films.
Too caught up in its own inventive twist on the world, Bliss offers high concept science fiction without tying it to something meaningful.
Farah Nabulsi’s short film, The Present, captures the dehumanising and frustrating experience of living under occupation.
Mass may not be an easy film to watch, but its emotional journey is both important and emotionally gratifying.
Profound, gorgeously shot, and performed, Little Fish is a film that is unforgettable.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
4×4 is a broodingly effective thriller set in the crime-riddled streets of Argentina, with poignant thoughtfulness for the characters involved.
At this particular moment, In the Same Breath certainly feels like the COVID-19 documentary that the world needs to see.
Kristy Strouse reviews the campy action fantasy, Prisoners of the Ghostland, and spoke with star Bill Moseley.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
In her second report, Kristy Strouse shares three more films that she adored, all very different, but each with fantastical elements.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.