And thus, we arrive at the fireworks factory. After a few episodes that were more…
While last week’s episode was powerful, “Could It Be…Satan?” came in this week with a whisper, merely setting up for episodes to come.
“Do Right, Vote White!” marks Shameless’s 100th episode and it does so with the style we’ve become accustomed to.
Distinctively reminiscent of the show’s first season, with it looking to unfold on a case-of-the-week style basis, How To Get Away With Murder’s season premiere is taking one step back, hopefully, in order to take multiple steps forward.
The third episode of American Horror Story: Apocalypse is a biblical and a grim fairy tale, delivering shock and unpredictability, as the Coven arrives.
While providing some fun, the “Weirdo Gallagher Vortex” will keep your attention, though it doesn’t really feel like a step forward, leaving viewers waiting for the Shameless we’ve come to love.
Feeling quite like a standalone episode, “The Unicorn in Captivity” the focuses the action on the villainous end of the cast while Dr. Venture has a plot that offers up silliness.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.
It’s not often that a Venture Bros. episode feels like filler, but “The Unicorn in Captivity” definitely felt like the creators were moving pieces into place for the endgame.
It’s easy to call this season “more of the same”, but for a show as good as BoJack Horseman, that’s a compliment.
What began as a slow burning episode quickly descends into suspicion, shame and further confusion…
Even though this week’s episode goes a bit downhill, Shameless has plenty of laughs as the Gallaghers try to navigate life, with plenty of room for the cast to shine.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
“Are You There Shim? It’s Me, Ian” doesn’t deliver the sort of Shameless panache that the earlier seasons had, but it bodes promising.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.