1980s
Pet Sematary feels like a good time horror film wrapped in the Stephen King charm, but it is terrors run deep and its implications devastating.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
For this edition of the column I decided to dive into two of Paul Verhoeven’s interesting and unique filmography.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.
As Child’s Play would help to close out a decade of slashers, it would open an unyielding franchise that would garner accolades of all ages.
For this Inquiring Minds, we take a look at John Carpenter’s 1988 sci-fi/horror!
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
Newly restored, Life is Cheap… But Toilet Paper is Expensive can be overwhelming, and even unpleasant – but it’s incredibly unique.
Predator is one of those classic films that is a must-see – especially if you have the right crowd to watch it with.