2010s
The Last Laugh tries its best to tell a sweet tale about growing old with dignity and never giving up on your true self.
Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
Before We Vanish is always working in two dimensions at the same time: it’s gross and funny, incisive as a work of modern commentary and blunt as a dozen hammers.
Zelos is definitely not your typical romantic comedy and it’s an extremely complicated film, full of obstacles that a majority of people can relate to.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.
While a bit rough around the edges, Under the Silver Lake is one of those films that you’ll be lucky to experience even in light of its flaws, and stands as an astounding sophomore effort.
The Lego Movie 2 is a perfectly crafted sequel that expands on the world of its predecessor, but stands firmly on its own little Lego-legs.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.
Polar is as by-the-book as an action film can be, and that book isn’t even a very interesting one.
Dan Gilroy has stepped out of his comfort zone with satirical horror Velvet Buzzsaw – and the results are mixed, to say the least.
Piercing is an absolutely weird, kinky, stylish film that might not be to everyone’s taste; it is guaranteed to thrill some filmgoers and offend some others.
Soni, as a gritty realist portrait, feels fresh and unique – both in it’s portrayal of Kalpana and Soni and its technical achievements.
Dynamic turns from its two stars and an intriguing relationship at its core makes Nina watchable, if occasionaly frustrating elsewhere.
