2020s
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
Waiting for Anya is so beautifully put together and so emotionally executed that it hits you like a gust on a windy day.
The Killing of Two Lovers ineptly attempts to depict a man navigating the various extremes of modern manhood.
As recording events has become easier and more integrated in our fast-paced high-tech society, Births, Deaths and Marriages celebrates those who recorded those past memories that we absolutely cherish today.
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Nine Days is Brazilian director Edson Oda’s feature debut, and he is off to an amazing start with this beautiful, meditative film.
Miss Americana is socially responsible filmmaking at its finest, which is certainly a pleasant surprise.
Opening her introductory remarks for Zola, director Janicza Bravo recounted how she attended Sundance Film Festival…
Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.
Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.
A Fall From Grace, a 2-hour phoned-in schlock, proves that when Perry mentions his film wrapped in less than a week, he is not exaggerating.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.
The best moment in this 2020 rendition of The Grudge is when the title card…
Just Mercy is a disappointing adaptation of an important real-life story, but it’s filled with great performances. Maria Lattila reviews.