2020s
Kristy Strouse spoke with writer, director and star of Look At Me his journey from the film’s beginning to its fruition, a shared love for There Will Be Blood, and much more!
Director Sean Mattison, along with producer Trevor Martin and their team, follows Petro from his campaign’s inception on through the historic election day.
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
In this report, we’ll look at Little Death, Veni Vidi Vici, and Kidnapping Inc., each from a different part of the world, focusing on a different theme.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
With these three documentaries, we can experience wildly different subjects, but take them all with a sense of awe.
Writer-director Rich Peppiatt brings the story of Kneecap, a real-life Irish rap group, to the big screen in a way that The Dirt wishes it did.
With Frida and Gaucho Gaucho, we gain perspective into an iconic Mexican artist and an Argentine community upholding decades of tradition.
CRATER, a sci-fi kids’ movie that was scrubbed from Disney+, wastes the talents of its young cast, especially Mckenna Grace.
With The Moogai, writer-director Jon Bell weaves historical trauma and a new mother’s struggles to deliver a thematically rich supernatural horror.
For Monro’s Kubrick on Kubrick, decoding Kubrick’s films with the director’s own words serves as an excellent chance to write his own artful tale
In my first report from Sundance, I’ve got two debuts and a sophomore film from a talented actor. All three tie together in a unique, familial bow.