2020s
Orchestrator of Storms: The Fantastique World of Jean Rollin is a loving tribute that is a must-watch for fans of horror or Euro cult films.
The Middle Man was a happy surprise that is fun and heartfelt, tragic and funny.
If you can remove expectations, Children of the Corn may be an enjoyable watch. But, the source material deserved better.
Until Branches Bend’s lackluster attempt to craft tension and urgency leaves its audience uninvested and without curiosity for more.
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
Ultimately, Mister Organ is a fascinating – and hilarious – look at one man’s rampant narcissism and how it affects those he comes into contact with.
Free Skate is an engaging character-driven drama that skates the edge of being a thriller as it progresses.
Initially, a terrific, tense, and brutal tale of class warfare, animalistic nature, and devastating consequences, over 2 1/2 hrs, it can’t sustain.
Ultimately, God’s Creatures is a well made, well acted piece of filmmaking, if only it was able to tie together its elements a little better.
Unwelcome works as a decent horror film in general, but with St. Patrick’s Day just around the corner, it takes on a new vibrancy of success.
Rebroken has really good first and second acts, but somewhere along the way it loses its confidence.
Tender and imaginative, The Pod Generation is elevated by strong performances, humor, and unique world-building.
La Civil is ultimately an uneven crime thriller carried by an exceptional actress, but its subject matter is so important that one can overlook.
My Sailor, My Love is not quite a romance, but rather a slow examination of the wounds we inflict on each other and the difficulties of moving past wounds.