2020s
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.
Femme Filmmakers Festival 2022 and its short film contest is run by Filmotomy, partnering with MUBI, In Their Own League, and InSession Film.
A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Mobile Suit Gundam: Cucuruz Doan’s Island transforms a forgotten Gundam episode into one of the most exciting Gundam movies ever.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
In this report, Kristy Strouse covers The Happiest Man in the World, Women Talking & Return to Seoul!
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Sarah Gadon has always had a keen eye for interesting roles, and she keeps that streak going with her portrayal of an imperfect mother in North of Normal.