2020s
A sequel to What Happened in Vegas, Ramsey Denison’s newest documentary Money Machine examines the aftermath of the deadliest mass shooting in U.S. history.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
Stephanie Archer takes a look at 2021’s Oscar-Nominated Live Action Short Films.
Stephanie Archer takes a look at the 2021 Oscar Documentary shorts!
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
While it takes the series a few episodes to find its footing, it eventually settles into an even pace, supported by the strong performances and adaptation.
Sasquatch is a miniseries that you really need to experience, as each of the clues uncovered adds more to the intrigue of this long, strange trip.
A new documentary about Sesame Street and how catering to children’s education – as opposed to selling ad space – changed television.
Kristy Strouse spoke with director Travis Stevens of the new horror, Jakob’s Wife.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
Sparing us a heavy-handed lecture, Gunda shows us why we should value animals for more than just their meat, and is all the more powerful for it.
There are short films that spark franchises, and The Man in the Pinstripe Suit has the makings of such a success.
Lead with strong performances, We Broke Up is a welcome twist on the traditional rom-com challenging audience assumptions.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.