2021
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
A snapshot of small-town ennui with a hefty splash of neon-tinted noir, Streetwise has an intoxicating atmosphere.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
Despite what its title might suggest, Are You Lonesome Tonight isn’t maudlin and it certainly isn’t one which seeks desperately to impress.
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
The Middle Man was a happy surprise that is fun and heartfelt, tragic and funny.
La Civil is ultimately an uneven crime thriller carried by an exceptional actress, but its subject matter is so important that one can overlook.
Film, the Living Record of Our Memory shines a spotlight on these individuals and serves to rally for the importance of film archiving and preservation.
Juniper is a beautifully filmed and excellently acted drama about the pursuit of repairing familial relations and learning to accept the inevitable.
A Radiant Girl is a film where horrors hover on the edge of every frame, out of sight but never truly out of mind.
Despite boasting great performances and lavish production values, Chess Story feels unnecessarily messy, overwhelmed by the scope of its adaptation.
Ted K remains interesting because of Copley’s performance and the fact that Kaczynski is a fascinating persona in and of himself.
