2025
With The Saviors, Hamedani has created something that is uniquely discomforting. It’s the kind of bold storytelling we need more of.
For so many reasons, My Undesirable Friends: Part I – Last Air in Moscow is essential viewing.
Erupcja captures the fleeting magic of vacationing in a foreign land and wanting it to somehow last forever… though, it wouldn’t be very magical anymore.
The Stranger is visually stunning, well-acted, and rich with the heady atmosphere one gleans from the pages, but still leaves you wanting more.
Caroline Golum’s sophomore feature boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
Palestine ’36 is an important film despite its imperfections—mainly, its valiant attempts to do and say a little too much for one movie.
Ajike Owens should still be alive. The mother of four was shot by her neighbor…
The Dummy Detective is both a love letter and a send-up of noir and murder mysteries, with the end result as up in the air as the puppet our hero holds.
There’s no such thing as a “bad year for film.” But some years, it’s easier…
Chaperone is a truly unique film with stellar talent behind and in front of the screen.
Donald Trump recently oversaw a coup in Venezuela, kidnapping President Nicolás Maduro and his wife…
Cover-Up is about much more than just one man’s lifelong search for the truth; it’s a film about the importance of constantly interrogating those in power.
With a commanding performance from Josh O’Connor and a nuanced take on religion, “Wake Up Dead Man” is the best “Knives Out” mystery yet.
Just as in Zootopia, the world-building and neat details are incredible
Stir the porridge clockwise, or else you’ll let the devil in. At least, that’s what…