action
All the Devil’s Men is a montage of cheap jokes and even cheaper action sequences, offering nothing new to the espionage genre.
For viewers tired of the gloom and doom of most superhero TV series, Marvel’s Runaways is more than worth escaping to.
While not quite as offensive as Gotti, Speed Kills is just as disposable, with Travolta yet again starring in an incompetent and unimaginative feature.
Again, Supergirl has never shied away from staying topical and overtly political, and Season 4 is no different.
Aquaman is not really a bad movie by DC’s standards, but it is the weirdest thing they’ve made in recent years by a country mile – and not always in a good way.
We break down the career of Dave Franco, who transitions from the inherently unlikable pseudo-villains to the everyman, unconventional heroes, and some bizarre characters sprinkled in between.
Between Worlds has potential in its more surreal moments, but it never utilizes the tension and conflict that could come from this story.
Mortal Engines clearly understands its source material, which makes for a fantastic first act, but has trouble successfully adapting it, resulting in the rest of the film being lackluster.
Robin Hood seems to have a set of requirements to meet, and it gives the bare minimum when meeting them.
Anchored by three brilliant central performances, Dragged Across Concrete is an interesting, unpredictable movie that zigs when we expect it to zag.
Four episodes in, the tone of The Flash in Season 5 is a welcome change from the over-serious one that anchored last season.
Zhang Yimou’s Shadow is a different beast to Hero and House of Flying Daggers – but is every bit as essential.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.