adaptation
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
At its core, Where the Crawdads Sing is an examination of abandonment and loneliness, as well as survival within the unrelenting naturalist circle of life.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Everybody’s Talking About Jamie is one of the better film adaptations of a stage musical.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
Film Inquiry spoke with Joan Allen, one of the stars of the newest Stephen King adaptations: Lisey’s Story.
Film Inquiry spoke with Ron Cephas Jones for his role in the latest Stephen King adaptation: Lisey’s Story.
With lots to admire about the ambitious reimagining, including strong performances and visual flair, the modernization of this tale feels out of place.