based on book
The Haunting of Hill House is full of arresting images and startling moments of pure drama; this is a show that doesn’t skimp on the heft and it presses its viewers with an inherent need to invest.
There is much to admire about The Sisters Brothers; the powerful performances, the beautiful cinematography, and the statement on violence in the Old West.
After failing to get the film out of production hell for so many years, it’s no surprise The Man Who Killed Don Quixote feels world weary and cynical.
London Fields feels like it’s trying to accomplish too much, and as a result, accomplishes very little.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
If you have children who are itching for a cinema trip during the spooky season, there have been much worse offerings than Goosebumps 2 in the past.
The Old Man and the Gun is a love letter to many things: the 1970s/early ’80s, the aging outlaw trope so often seen in Westerns, and to film itself.
Little Women will cater to a specific demographic of viewers who are not picky when it comes to the movies they watch, passing off Lifetime and Hallmark movies as good times.
Due to some finer details, The Land of Steady Habits is not unsatisfying per se, but it also has no staying power.
The Wife is a middlebrow bore, a domestic drama with an intriguing concept that’s made easily forgettable due to the middle of the road direction from Bjorn Runge.
The Angel applies a straightforward template devoid of innovation or complications feeling far too standard for such an unconventional story.
Frank H. Wu’s mother, an immigrant from China via Taiwan, used The Shining to teach about right and wrong to her young son.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
Failing to push boundries, Ladies in Black is the definition of someone delivering the bare minimum in film direction, where the simple monotony of Aussie contempories doesnt cut it anymore.
The Guernsey Literary And Potato Peel Pie Society won’t shock or challenge you, but it will give you a sense of easygoing warmth.
