based on book

THE CHILDREN ACT: A Beautifully Complex Pair Of Performances Holds Uneven Drama Up

The Children Act is a stirring, well-intentioned piece of classy British cinema that will satisfy but ultimately sadden its intended audience.

SHARP OBJECTS “Falling” (S1E7): It’s Been Worth The Slow-Burn

In “Falling”, Sharp Objects becomes its strongest self, maintaining the fervent atmosphere, visual detail and world-class performances.

THE SWAN: A Surreal Journey Down The Rabbit Hole Of Adulthood
THE SWAN: A Surreal Journey Down The Rabbit Hole Of Adulthood

In the sea of stellar coming-of-age films that have recently been released, The Swan’s beautiful blend of human drama and magical realism is still unique enough to stand out.

CRAZY RICH ASIANS: Is the World Ready?
CRAZY RICH ASIANS: Is the World Ready?

Frank H. Wu reviews and examines Crazy Rich Asians: It already is a phenomenon. May it inspire much more.

TO ALL THE BOYS I'VE LOVED BEFORE: An Endearing Lana Condor & The Evolution Of The YA Genre
TO ALL THE BOYS I’VE LOVED BEFORE: The Evolution Of The YA Genre

To All the Boys I’ve Loved Before is a testament to how far young adult films have come, resisting stereotypes and cliches despite seeming to fall into a gimmicky premise.

SHARP OBJECTS “Cherry” (S1E6): Like The Fruit, A Juicy But Messier Experience
SHARP OBJECTS “Cherry” (S1E6): Like The Fruit, A Juicy But Messier Experience

While there remain more noticeable cracks in the latest two Sharp Objects episodes than the earlier days of the miniseries, it endures well into the sixth hour as an unparalleled and enthralling television experience.

THE MEG: A Hefty Splash Of Summer Fun With Jason Statham

The Meg is not a masterpiece, but it is a perfect Jason Statham vehicle: packed with action and still a ton of fun.

THE DARKEST MINDS: Uninspired, Half-Baked YA Adaptation
THE DARKEST MINDS: Uninspired, Half-Baked YA Adaptation

The Darkest Minds brings some potentially daring concepts, but builds them to nothing, with not even its action scenes being a saving grace.

THE MISEDUCATION OF CAMERON POST: Moretz Is Top Of The Class In Affecting Drama
THE MISEDUCATION OF CAMERON POST: Moretz Is Top Of The Class In Affecting Drama

The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.

The Beginner's Guide to Stephen King Adaptations
The Beginner’s Guide To Stephen King Adaptations

With a plethora of source material, Stephen King has become the king of Hollywood adaptations, with both failures and successes terrifying viewers of all ages.

A PRAYER BEFORE DAWN: Violent Biopic that Pulls its Punches
A PRAYER BEFORE DAWN: Violent Biopic That Pulls Its Punches

A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.

THE CATCHER WAS A SPY: Rudd Offers Another Strong Dramatic Turn

With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.

THE YELLOW BIRDS: A Film At War With Itself

It’s received a fair amount of negative response for its allegiance to the cinematic canon, but The Yellow Birds is more than the sum of other films’ parts and makes for a worthwhile adventure.

ADRIFT: Not Quite Lost, Not Quite Found
ADRIFT: Not Quite Lost, Not Quite Found

With a divide between masterful filmmaking and a hard to buy love story, audiences will find Adrift enjoyable, but with a disposable romance.

FAHRENHEIT 451: Smolders But Doesn't Ignite
FAHRENHEIT 451: Smolders But Doesn’t Ignite

With the inclusion of a MacGuffin and the eventual predictable narrative that follows, Fahrenheit 451 misses out on a golden opportunity to connect with a modern audience.