book adaptation
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.
Grounded by the incredible performance of Sissy Spacek and the masterful direction of De Palma, Carrie is a horror masterpiece that defies convention.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
The result is a bit of a mixed bag; the movie does indeed scream Clive Barker, but on the other hand, the new stories aren’t really that interesting.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
John Crowley’s adaptation of The Goldfinch lets down its source material and is, above it all, limp Oscar-bait.
Compared to other teen classics that have covered the same ground before, The Kissing Booth comes across as amateurish – and a tiny bit problematic.
Guest author Judy Sandra advises on how to turn a book into a screenplay after having gone through the process of creating a screenplay adaptation of her own novel that she will direct herself.
