comedy
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
Energetic and creative, no matter how you quantify it, Beyond the Infinite Two Minutes is a whole lot of fun.
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.