comedy
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
Courtney Gets Possessed will bind you to its celluloid core, delivering one of the most fun and entertaining possessions the devil has to offer.
An investigation of fame, virality, and public visibility in general, Dream Scenario deftly balances the mundane, the surreal, and blisteringly unpleasant.
Good Omens season two is truly beautiful in every sense of the word and is an absolute must-watch.
Thin Skin is a delightful film, equal parts heart and humor with the thematic motif of passion and tenacity that speaks to every creative.
With Juliette Fairley’s newest short film, “Adult Children of the American Revolution,” we face an experience that’s as funny as it is uncomfortable.
It’s a Wonderful Knife embraces its premise with blood-soaked snow, candy cane stab wounds, and cheery Christmas tunes.
The Holdovers is overflowing with gentle warmth and biting humor, making for a perfect Christmas movie and an easy go-to cheer-up picture.
While Sick Girl encompasses a wide range of performances, it is the performance of Nina Dobrev that truly stands out.
One of the best films of the year, and the most meta the horror genre has seen since Scream, Totally Killer is the horror comedy you have totally been waiting for.
Tokyo Cowboy is a bit shaggy in places, but we stick around for the character moments because they feel mostly benevolent and genuine.
A cheesy holiday horror that doesn’t try to be anything more than it knows it is, There’s Something in the Barn is wildly entertaining.
If Pixar’s latest offering suggested that Fire and Water can mix, the same can’t be…
Jackson Sterns dives into Succession season 4 and how the one episode changed everything.