coming-of-age
Julia Ducournau’s debut RAW doesn’t deserved to be labelled as “barf bag” cinema, as this is one of the best horror debuts in recent memory.
Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
A true millennial romance, Scott Pilgrim Vs The World is a great action comedy with an insightful look at teen culture.
![[RE]DEFINED: A Complex Story In Simple Terms (& Interview With Writer/Director, Danae Grandison)](https://www.filminquiry.com/wp-content/uploads/2017/03/redefined-1.jpg)
Danae Grandison’s [Re]Defined is a 10-minute short film that dives into the nitty gritty of adolescent life, leaving few doors unopened.
My Name is Emily tries to be intellectual and heartwarming at the same time, but finds itself biting off more than it can chew.
London Town is a fictional story about a boy in 1970s London meeting up with his music idol, Joe Strummer; it is a mostly entertaining romp.
Departure is a coming-of-age film focused on the budding romance between a boy and his friend, yet it doesn’t fully succeed in this prospect.
I first discovered Jeff Nichols back in 2013, when I happened to catch Mud in theaters. Not knowing what to expect, I still remember distinctly how I felt walking out of the theater – I absolutely loved everything about the film. I was stunned by its raw, understated beauty, with characters that lived and breathed, and a coming-of-age story that was uniquely captivating.
White Girl reflects the embodiment of societal and interpersonal dysfunction while exploring the role of the body in film and in life.
Horror films sometimes contain themes that focus on the primal fears of growing up; here are some prime examples of how they have done so.
Closet Monster is a movie that fluently balances drama and humor, but the very essence within its message is one of defiant and radical hope.
Disney’s latest film, Moana is sure to please crowds, but it plays it safe by recycling a story that has been told to exhaustion.
I’m going to be honest with you, I loathed the first two Bridget Jones films. I read the books as a teenager and I was so excited when the first film came out only a year or two later. But I didn’t like it one bit.
Based on the real life personal experiences of writer and director James Steven Sadwith, Coming Through the Rye offers a strange and circuitous coming of age teen drama about a young boy named Jamie Schwartz who seeks out the reclusive author of “The Catcher in the Rye”, J.D. Salinger, in 1969 New Hampshire.