crime
A thought-provoking exploration of morality and mortality divided neatly into two parts, Miracle isn’t clear-cut or easy to comprehend, but it is compelling.
In the finale, ”Blank Spaces” wraps nicely giving brief ends for each of its characters.
The Girl from Plainville’s “Teenage Dirtbag” leaves viewers with a lot to question and think about, maintaining a basis for conversation.
The latest episode of The Girl From Plainville, starring Elle Fanning, finally brings us into the courtroom.
In The Girl From Plainville, the case against Michelle Carter gains traction, an inquiry turns to an indictment, and her court appearance grows closer.
While as a whole it lends itself to a filler episode, the investment and catharsis it garners, compounded by further intrigue, elevates it beyond.
Graham Moore’s “The Outfit” relies heavily on a charming performance by Mark Rylance but can’t tie together its many loose threads.
With artistic interpretation, it finds the perfect balance of suspense, intrigue, and cliffhangers to make you want to come back for more.
KIMI derails a scintillating premise with a routine thriller that is on its surface efficiently executed but belies the clever psychological start.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
Klem shows that Dutch series sometimes have a better start than award-winning American series like Breaking Bad. In short – Klem is a must-see.