documentary
Through style, humor, and a dash of poignancy, the film does a good job of selling you on joining Arquette in his singular odyssey.
As a follow-up to 2008’s Mental, Zero offers a pleasantly intimate but never intrusive portrait of the life of Dr. Masatomo Yamamoto.
But Jazz on a Summer’s Day so effectively captures the energy of the moment, making us sense the atmosphere and enjoy it vicariously.
Big Fur isn’t about convincing you of the validity of Sasquatch, but rather, the fascinating journey of a man as he re-creates Bigfoot.
A darkly funny mashup between a sports documentary and gangster drama, it is an incredibly entertaining film that also delves into serious cultural issues.
Our coverage of the 2020 Sheffield Doc/Fest’s continues with reviews of Shut Up Sona, The Go-Go’s and Bitter Butter.
Part documentary, part staged, and full of heart, this love letter to the five boroughs of New York City is an enjoyable, chaotic watch.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.
We spoke with Joshua Lee, director of the Australian documentary, The Fathering Project.
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.