documentary
Stolen Daughters: Kidnapped By Boko Haram, directed and co-produced by Gemma Atwal, explores the history if abducted girls and the continued presence of Boko Haram in Nigeria.
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
Richard Todd’s Dying to Live is a sincere portrait of the state of Australian organ donation, a weirdly taboo topic with the highest of stakes.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
As glossy, glamorous and fast-paced as the auctions it focuses on, The Price of Everything is a fun look inside an elite world that few of us could ever imagine entering.
Caniba is a disturbing film about human loneliness that feels rare in documentary’s contemporary canon.
Ben Ferris’ experimental docu-drama hybrid 57 Lawson has aged as an important archive of a brief period of time, a lyrical tribute to Australia’s often ignored lower class population.
Studio 54 was blessed to be a documentary about something unendingly interesting, unfortunately, by taking on a big topic and failing to ever get specific,it fails to live up to its great potential.
We spoke with Derrren Brown about his latest Netflix show Sacrifice, as well as his development as a performer, and his future projects.
The mild and moderately amusing take precedence over any grander scheme in Monrovia, Indiana, lacking a moment of discovery in the mundanity and never evoking superiority.
We spoke to directors Robert A. Clift and Hillary Demmon about their new documentary, Making Montgomery Clift,about the process behind the documentary and retelling Monty’s story.
Considering Quincy Jones’ origins, his struggle, and his accomplishments, the Netflix documentary Quincy is a missed opportunity.
Kate Nash: Underestimate the Girl is an uplifting documentary that proves that even when your circumstances change for the worst, you can rise above them and come out renewed.
With an unapologetic, feminine roar, City Of Joy takes on a wholly ignored genocide, racism, toxic masculinity and bloodthirsty greed, a rallying cry for survivors of violence and product consumers.
We spoke with director Susan Kucera about her upcoming documentary Living in the Future’s Past, a haunting view of human evolution.