Elena Miliaresis’ documentary While Time Stands Still tells the story of the hardships of military families – Laurie Agard considers the psychological aspects.
We were able to speak with Adam Sobel, director of the documentary The Workers Cup, focusing on labor camps in Qatar in preparation for the 2022 World Cup.
As the 2018 World Cup quickly approaches, The Workers Cup serves as an uncomfortable reminder of the humanity behind one of the world’s most beloved sporting spectacles.
Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
With the world getting stranger and scarier by the day, Glossary Of Broken Dreams could have been a useful resource — a helpful primer when current events appear to be beyond comprehension. But it is not that documentary.
While Love Always, Mom waves a large price tag in the eyes of its viewers, it is an engrossing film that shows a hope in the depths of darkness while displaying the benefits of sheer determination and will.
Stephen Maing’s documentary deals with corruption and institutional racism in the NYPD – and recognises the police officers who are fighting a court case to help stamp this out once and for all.