Inka Achté’s documentary BOYS WHO LIKE GIRLS chronicles the efforts of an organization in India to educate boys and men on pressing gender-based issues.
It isn’t the glossiest documentary, and there isn’t a significant style or a comfortable flow, but what Evil Genius lacks in pizzazz in makes up for in persistence and unearthing.
Boys For Sale dives into the world of the urisen (also known as “boys”) that are paid to have sex with other men. Brought in by the allure of a high paying part-time job, urisens have to learn to navigate the industry as they go.
With the world getting stranger and scarier by the day, Glossary Of Broken Dreams could have been a useful resource — a helpful primer when current events appear to be beyond comprehension. But it is not that documentary.
While Love Always, Mom waves a large price tag in the eyes of its viewers, it is an engrossing film that shows a hope in the depths of darkness while displaying the benefits of sheer determination and will.
Stephen Maing’s documentary deals with corruption and institutional racism in the NYPD – and recognises the police officers who are fighting a court case to help stamp this out once and for all.
Kristy Strouse reviews the inspirational documentary Bethany Hamilton: Unstoppable that premiered at the Tribeca Film Festival and shares her interview with director Aaron Lieber and producers Penny Edmiston and Jane Kelly Kosek.
Supreme Court justices are probably the least known about relative to their immense significance, and RBG helps to humanize one of the nine most powerful people in America.
Both Phantom Cowboys and Island of the Hungry Ghosts are finely wrought documentaries which also touch on universal themes. Though taking place in isolated communities, they reflect on the struggle for happiness inherent in the human condition itself.
Arlin Golden had the opportunity to speak with directors Julie Cohen & Betsy West, who created the beautiful biopic of the “Notorious RBG”, Supreme Court Justice Ruth Bader Ginsburg.