drama
The Mountain Between Us, a tale of two strangers (and a charming dog) who find…
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
Daphne is a more of a character study than a film whose design cleverly portraying a layered and complex character rarely see on screen.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
In Andrew Haigh’s Lean On Pete, a young boy bonds with a horse headed to a slaughterhouse, and is a great cinematic experience.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
Prepare to be utterly charmed by Stephen Frears’ Victoria & Abdul, a warm, twee film that gives movies for senior audiences a good name.
Through strong performances and solid story, Borg McEnroe is a thrilling recreation of the iconic Wimbledon final.
Last Flag Flying is an experience that likely won’t stay with you for long, but it is pleasant enough viewing to recommend a watch.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.