drama
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
Daphne is a more of a character study than a film whose design cleverly portraying a layered and complex character rarely see on screen.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
In Andrew Haigh’s Lean On Pete, a young boy bonds with a horse headed to a slaughterhouse, and is a great cinematic experience.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
Prepare to be utterly charmed by Stephen Frears’ Victoria & Abdul, a warm, twee film that gives movies for senior audiences a good name.
Through strong performances and solid story, Borg McEnroe is a thrilling recreation of the iconic Wimbledon final.
Last Flag Flying is an experience that likely won’t stay with you for long, but it is pleasant enough viewing to recommend a watch.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
I Was a Dreamer is a mostly successful biographical film about a man seeking redemption, unique for having its lead character play himself.
Abundant Acreage Available is a simple package of meditation about life and death you will be thinking about long after the film has ended.
Directed by Angelina Jolie, First They Killed My Father is a testament to the craft of film to tell heartbreaking, devastating stories.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.
Lucky is the unfortunate but beautiful swan song of Stanton, one that truly earns the oft overused phrase, “the performance of a lifetime.”
Steven Soderbergh’s Logan Lucky is one hell of an enjoyable ride that leaves you feeling lucky to have been along