drama
From this year’s New York Film Festival, we take a look at In Water & In Our Day!
For those who have only a mild familiarity or hold an aversion for faith-based movies, Surprised by Hope is a cut above.
A Guide to Becoming an Elm tree is one of the must see films of this year’s Fantastic Fest.
The Creator’s many impressive technical qualities are entirely mishandled, their import put above what a movie really needs: a good story.
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
Both a monumental piece of Chinese cinematic history and a lasting tribute to the special brilliance of its star, this is essential viewing.
Waiting for The Light to Change is a snapshot of Gen-Zers and the anxieties of the times.
Ultimately, Top: Gun Maverick preserves the atmosphere of a timeless era and places it in the modern-day, harnessing an infectious energy.
Kristy Strouse spoke with Christian Sparkes for his film The King Tide, along with its two stars!
Killers of the Flower Moon isn’t just a historical tale but a profound and subtle commentary on history, humanity, and the power of storytelling.
With a simple premise but endless complexity, Monster sees Hirokazu Kore-eda’s compassion and empathy presented at such a masterful level.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.