drama
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.
A Woman’s Life shows the hardships women endure throughout their lives relentlessly and without optimism, and is depressing as a result.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
We take a look at Chantal Akerman’s Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, which deals with the mundane in a truly unique way.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
Sofia Coppola’s The Virgin Suicides is a film about five sisters that is often dismal and dark, yet it also conveys powerful feminist themes.
Lady Bloodfight is full of frenetic, full-blooded fight scenes between a diverse array of badass women that will not disappoint.
In this Beginner’s Guide we discuss some of Christopher Nolan’s best work to date, his influences and artful filmmaking skills.
Avoiding cliches and mostly celebrating in richly defined performances, Jawbone is among the more engaging boxing movies in recent memory.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.
The Fallen Idol is a fascinating look at adultery through the eyes of an innocent child, and has had a long-standing legacy as a result.
Though captured beautifully, Somewhere Beautiful suffers from an unfocused script and rushed direction by Albert Kodagolian.
Partly autobiographical, Counting for Thunder is a film that sometimes works, but mostly fails in its attempt to blend both drama and comedy.