drama
In this report from NYAFF, Lee Jutton takes a look at Mountain Onion, Nomad and Mountain Woman!
Bad Girl Boogey may not be a great film but it has the ambition and heart to pursue a whole new lore.
The NY Asian Film Festival provides movie lovers in the tri-state area with a great opportunity to see films across a wide range of genres.
Fueled by brilliant performances and Petzold’s typically masterful storytelling, Afire will continue to smolder in the depths of your mind.
Wilson Kwong dives into two films that are interesting examples of dramatic French cinema with clear commercial appeal.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.
This series comes back for a season two with an entertaining entry that shows an improvement over the first both in writing and performances.
Asteroid City is stylistically undifferentiated from most of Anderson’s recent output but it does take the audience behind the curtain.
The Stranger has many surprises and very clever narrative journeys, managing to build an atmosphere of suspense with very few and wisely used resources.
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.