drama
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
While it doesn’t reinvent the wheel, To Leslie is anchored by an incredible performance from Andrea Riseborough and confident direction of Michael Morris.
