drama
In her second report from Sundance Film Festival Kristy Strouse reviews Cha Cha Real Smooth & Am I OK?
While crafts a uniquely haunting atmosphere, The Laureate focuses too much on its plot and not enough on the unique personalities of its characters.
On this Animation Sensation we discuss the 1998 animated film The Prince of Egypt.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
Delivering all the thrills, strong performances and intense handheld camerawork, 892 comes with an agenda and call to action in mind.
Featuring an understated performance from Tim Roth, Sundown forces audiences to reevaluate all of our assumptions about him and his unconventional choices.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Yellowjackets is your new favorite show, or it will be once you sit down and watch it.
Allow yourself to be transported by the sights and sounds of The Shepherdess and the Seven Songs and be rewarded with a powerful cinematic experience.
Made pre-COVID, Iuli Gerbase’s The Pink Cloud is about two people forced into lockdown together when a toxic pink cloud envelopes the world.
With A Hero, filmmaker Asghar Farhadi returns once again to the themes of societal strife that have run through his previous films.
Merry Christmas, Mr. Lawrence is a beautiful film, and despite its grim subject matter, there is an underlying sense of warmth to it.
Nightmare Alley is a tense thriller that will be sure to please audiences if they can get past the film’s length, but it still had potential to be more.
It might primarily tell a man’s story, but it’s the women—both in front of and behind the camera—that make Ever Since We Love worth watching.