drama
Rafaela Sales Ross’ coverage of the 2021 Venice Film Festival commences with a look at Harry Wootliff’s True Things.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
Nadia, Butterfly showcases a humanism that hits at the quiet and unsensational moments of an athlete’s life and career coming to a halt.
Film Inquiry spoke with writer/director Theodore Schaefer for his film Giving Birth to a Butterfly.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
Despite a familiarity with Johnson’s isolated world, Leah Purcell’s passion for The Drover’s Wife ultimately does her directing debut a massive disservice.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
Beautifully filmed, Coast is a film you will find just coasting through the motions.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
In its entirety, Mogul Mowgli is a cinematic experience that will resonate with the heart and enlighten the mind.
Haunting, strange, and engrossing, What Josiah Saw works in perpetuating perceivable dread.