drama
“I’m sorry I’m late”, I say when I’m connected through to Karim Saleh. We’re here…
My Prince Edward brings hope to anyone who yearns for cinema from one of Asia’s most iconic and special regions.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
Smuggling Hendrix is a largely remote concept, but its political relevance emerging from its silly conflict makes it an accessible, amusing dramedy.
Exile requires a certain level of investment to procure the fruits of the third act, but will certainly leave you introspecting your life.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.