drama
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
A small-scale, intimate story of strength and friendship it may be, but Herself has a thematic reach well beyond its plot.
The Devil Has a Name is worth watching for its message and for the strength of its three leading protagonists.
There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
With Hong at his most delightfully Rohmer-esque and Kim at her most effortlessly charming, The Woman Who Ran showcases humanity at its most authentic.
Film Inquiry’s Amanda Mazzillo takes a look back at the memorable career and essential films of actor Kirsten Dunst.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
As Haroula Rose’s feature-length directorial debut, Once Upon A River shows us, you do what you can.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.