drama
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
Concrete Cowboy is a heartfelt reclamation and tribute to a long lineage of Black frontiersman that’s largely been swept under the rug.
Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.
For TIFF 2020, Stephanie Archer had the opportunity to interview director Nicole Riegel & actress Jessica Barden about their new film, Holler.
With its flashes of humor and music, The Hole is a disturbingly timely depiction of humanity in crisis that speaks to our current isolation.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.
There is a rare nature and rough surface to Holler that will resonate with audiences through the need for survival, perseverance and opportunity.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.