drama
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
As suggested by the title of this episode, ‘Beg, Bribe, Bully’ revolves around those three villainous activities, and all told from three different perspectives.
Closeness is an intriguing debut film that is marred by one incredibly bad choice on the part of its director.
As Hong Kong cinema continues to evolve, a film like Suk Suk is both important and necessary in reshaping the industry’s overall identity.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
With only two episodes left, and with everyone off their games, everything could turn into fireworks by the end of this season of Killing Eve.
At 83 minutes long, Driveways is a mini marvel because it appears so slight yet bears manifold treasures.
Unfocused to the core, Capone will leave viewers with more questions than answers.
I have a book that’s been staring me in the face for years. It sat…
Neon Bull employs the unique routine of rodeos to approach – and subvert – gender stereotypes.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
Patrick Bateman represents the horrors of addiction, hedonism, narcissism and greed – and with a dose of humour, he’s a character that remains ingrained in our pop culture landscape.
Throughout its limited run, The Eddy is a stylistic and emotional success. Any shots at true greatness, however, are hampered by some persistent narrative frailties.