drama
“Designated Driver” was as compelling as any episode this season of Homeland, despite the flaws. But where do things go from here?
In its 5th episode, Westworld finally falls back into its old habit of overcomplicating its storyline, which would’ve worked better had it been told straightforwardly.
Delightful as it is to see these familiar faces get back on our screen, Killing Eve’s third season opener was a bit formulaic and a little edgeless.
Selah and the Spades takes the traditional trappings of coming-of-age stories and views them through a filter of a calculated coldness.
In Part 4 of The Plot Against America, confusion and conflict borne of misinformation drive wedges between friends and family, while the war rages on in Europe.
When the show digs deep into its examination of masculinity and male emotions, The Sinner remains a standout like no other crime show on TV right now.
Picking up the pace, episode 7 of Devs brings together several significant plot points, leading up to the supposedly predetermined fate of the final episode.
As we round the final base for the home stretch, these last three episodes promise to be as compelling and exciting as any Homeland has seen.
Escape at Dannemora is a marvellous prison drama that requires patience and commitment, and features magnificent performances from three of the best actors working today.
Tape goes beyond being ‘just another’ story of blurred lines, the grey area of rape, and brings it neatly into the realm of truth and experience.
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
Because “The Mother of Exiles” moves straightforwardly, even when it reveals the biggest twist of the season so far, everything seems to be more exciting and thrilling.
Eliza Hittman’s award-winning indie drama is a powerful one. Don’t let the label “abortion movie” deter you from seeing one of the year’s best films.
Emma is able to seamlessly adapt the Jane Austen novel with all the nuance and pizzazz that it deserves.
Disney is brilliantly setting up The Clone Wars and The Mandalorian for the price of one and is creating the kind of connective thread that made the MCU films so successful.