drama
True History of the Kelly Gang wants us to sympathize with a murderer who suffered great trauma from birth to death. It’s unfortunate that the film’s most critical moments fall flat.
From its aggressive ambitions to tackle a lot of things to its unsubtle and heavy-handed melodrama approach, Little Fires Everywhere obviously suffers from most of it.
In The English Teacher, the penultimate episode, the team behind Homeland delivers a stellar story, weaving the various threads through the loom into a masterful tapestry.
As Clone Wars leads us further and further toward end of the series, the show is beginning to set the pawns in place for their final showdown.
Carried by Idir Ben Addi’s brilliant performance, Young Ahmed is an intriguing character study of one young man’s fanaticism, though one is still left wanting something more.
The season three premiere of Killing Eve last week was quite a letdown. Not only…
It’s still not as great and exciting as the first four episodes of the season, ‘Decoherence’, in the end, manages to get the job done.
Resistance is a film that struggles to find its footing, though Eisenberg is always there to break its fall – for better or worse.
Agatha Christie’s The Pale Horse, though not quite a detective story, seems designed to test the genre’s rules, and also my patience.
With its well-crafted story and amazing casting, Mrs. America surely makes us think about the past, present, and future of women and women’s rights.
With The Other Lamb, Malgorzata Szumowska gives us a fresh perspective on the topic that proves to be just as challenging as it is wickedly absorbing.
We spoke with Drake Doremus, director of Endings, Beginnings, about the process of the film, what inspires him, and how he’s keeping busy during these strange times.
The finale of Devs is a strong one, bringing together all of the show’s more prominent themes and storylines and ending on a bittersweet note.
In the penultimate episode of The Plot Against America, David Simon and Ed Burns continue to display their mastery of film craft, leaving no stone unturned, and no character blameless.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?