drama
The Death of Dick Long might easily be the most bizarre film of the year, but it’s also one of the funniest.
Dark and gritty, Joker is a pressure cooker of emotional abuse that is just ticking, ready to blow at every minute.
The plot thickens in episodes 4-6 of Mindhunter: Season 2, as the dramatic fallout of the first season fades into the rear view mirror and the intense conflict of this new season shifts to the forefront.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Marriage Story is a heavy-hitting and brutal feature that leaves no stone unturned and no fallen tear allowed to escape from the camera.
Go! is the perfect adversary to the rising encroachment of American animated films that dominate Australian cinemas every holiday period – it’s old fashioned for sure, but undeniably fun.
Driven is a film that, despite a unique structure and talented cast, doesn’t feel as inventive as it sets out to be.
Season 2 of Mindhunter reminds us why we adore this show: it’s gripping, intoxicating television, as engaging on a scene-to-scene basis as it is on a grand narrative level.
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
Sadly, Ecco fails to deliver good writing and a visual instinct to its audience, loosing trust and the ability to keep them interested.
Jim Dixon spoke with director Shawn Ku about his latest film A Score to Settle, working with Nicolas Cage, regret and revenge and what the future holds next.
Brian Banks tries so hard to be deep and meaningful that it ends up falling flat and feeling corny.
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.