fantasy
His Dark Materials is an adventure story at its core, and we’re finally starting to get into the adventuring.
If the rest of the season of His Dark Materials is as good as its second episode, we’re in for a great season.
The Favourite and Once Upon a Time in Hollywood could not be more distant – but are there more similarities to them than meets the eye?
His Dark Materials is, at its core, a story of adventure, so strap in and let’s see where the zeppelins take us.
In her latest report from the Toronto After Dark Film Festival, Bree Duwyn reviews Paradise Hills, The Furies and Making Monsters.
A Cinderella Story: Christmas Wish follows the classic Cinderella motif with a few changes, some of which work, while others feel too close to countless other adaptations of the fairy tale.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.
Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.
Bree Duwyn covers the second half of the first season of Carnival Row, in which the show’s writing increased in quality.
if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.
Disenchantment Part 2 feels new, current, and understanding of what makes it wonderful – chapter 3 not only feels necessary, but desperately asked for.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.
Brilliantly utlizing animation and storytelling, Undone is unquestionably one of the best TV series of 2019.