fantasy
Brilliantly utlizing animation and storytelling, Undone is unquestionably one of the best TV series of 2019.
An interesting, esperimental short film, The Flying Fish explores the more surreal realms of our existence that lights and cameras alone struggle to conjure up alone.
Carnival Row starts off slow and is hard to get invested to, but eventually pays off in some respects.
Ne Zha might not be the best animated film of the year, but China is getting awfully close in competing against Hollywood’s animated offerings.
The Dark Crystal: Age of Resistance is the bold kind of fantasy that is more than welcome from the Henson studio in the 21st century.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
Despite the overt silliness of I Was A Teenage Werewolf, it might give us a useful way to think about the cultural impact of one Dr. Jordan Peterson.
Tigers Are Not Afraid is a standout film beneath the phantasmagorical flourishes is a story that is all too grounded in reality.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
2019 saw the end of both Game of Thrones and The Avengers as we knew them. Luke Walpole takes a closer look at the respective finales.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
Can epic fantasy work without the bond between a hero and their creatures at the forefront of the narrative?