fantasy
With a clever use of eerie scenery and camera shots, The Endless is a vortex that goes full on wacky, without diluting its purpose, only strengthening it.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
In this new Fantasy Science, we are revisiting the Fermi Paradox: if there are so many galaxies and planets out there, why haven’t we found evidence of alien life?
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
Why haven’t we found any signs of life out there in the universe, when statistically, there should be? This is Fermi’s Paradox, and in this new Fantasy Science column, we cover some of the explanations offered for this paradox in movies and TV.
Mary and the Witch’s Flower feels truly timeless, an animated classic in waiting that will delight audiences both young and old. Hiromasa Yonebayashi has captured the very essence of Studio Ghibli for this first Studio Ponoc effort.
Though grounded by a strong presence in the young Madison Wolfe, I Kill Giants is often too dreary to be truly engaging, and too under-realized to be an immersive escape into a fantastical world.
We spoke with Anders Walter about the making of I Kill Giants, what draws him to the intersection of fantasy and death in storytelling, directing a phenomenal, female-led cast, and what he’s looking forward to in his career.
A Wrinkle in Time has many touching and beautiful moments, in large part due to the incredible and relatable performance of its young star. However, the heavy-handed direction and sugary-sweet story may wear on adults used to more nuanced fare.
You can’t fault EVERY DAY for a lack of ambition – however, the film feels watered down by a breezy running time that doesn’t allow for a deeper exploration of the body swap conceit.
A classic horror film of Haitian voodoo and zombies, The Serpent and the Rainbow continues to scare and delight viewers with its historical relevance and impressive details.
Living Among Us is a poorly planned improviso, lacking direction, depth, story, character development and the ability to engage the viewer.
SXSW Review: SORRY TO BOTHER YOU: Boots Riley’s Absurdist, Existential, Surreal, Anti-Capitalist Sci-Fi Masterpiece Of A Debut
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.