film festival
Screening at this year’s Tribeca Film Festival as part of the U.S. Narrative Competition, Blow…
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
We were able to talk to Matt Ratner, director of the comedy Standing Up, Falling Down, featuring the iconic Billy Crystal.
Watson is a vital showcase of the power a person can have to affect change and how far reaching that change can be to others.
Arlin Golden covers many of the great documentaries that played at this year’s San Francisco International Film Festival.
For the past four months the Bay Area as been inundated with persistent rain and…
The Curse of La Llorona is not original enough to stand on its own, relying too intently on jumpscares and with not enough focus on the characters around them.
Becky Kukla looks at three films playing at this year’s BFI Flare: JT Leroy, Two in the Bush, and No Box For Me, An Intersex Story.
Musanna Ahmed looks at four documentaries from this year’s Human Rights Watch Film Festival; The Trial of Ratko Mladić, Roll Red Roll, Esta Todo Bien and Everything Must Fall.
In his latest dispatch from SXSW, Kevin Lee reviews Darlin’, The Girl on the Third Floor and Snatchers.
Becky Kukla looks at three films playing at this year’s BFI Flare; Tell it to the Blues, Water Makes Us Wet and Tucked.
In his latest dispatch from SXSW, Kevin Lee reviews Apollo 11, from director Todd Douglas Miller, and Aquarela, by Victor Kossakovsky.
Yes, God, Yes is a film you’d want to hug, where its authentic nature, lovable lead, and gentle director can win over anybody.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.