film festival
Director Chloe Zhao follows up her debut film with an outstanding sophomore feature, The Rider, that in a just world would see her get an Oscar nomination for her impactful direction.
Alex Arabian spoke with Jason Sudeikis on the red carpet of upcoming Netflix film Kodachrome at San Francisco International Film Festival, about working with Ed Harris, Elizabeth Olson and director Mark Raso.
We were able to talk with Marja-Lewis Ryan, Samantha Housman and Ross M. Dinerstein, the director and producers of the Netflix drama 6 Balloons.
The narrative debut of director Miranda Bailey, You Can Choose Your Family, is a misjudged dark comedy that earns enough goodwill through the committed performances from its ensemble.
As the SXSW festival comes to its end, Jax Griffin writes a love note to SXSW and its host city, Austin, Texas. She celebrates the food, the people, and the vibe.
Jax Griffin checked out the short films at SXSW to scope the up-and-coming fimmakers, and reviews her favorite ones, among them Hair Wolf, Haven, Milk and more!
Quite different from the big budget, blockbuster action films that we associate with sci-fi nowadays, Prospect is a slow-burning, languid study of people who end up at the wrong place at the wrong time, somewhere in outer space.
First Reformed had its U.S. premiere at SXSW, with Paul Schrader and Ethan Hawke in attendance. First Reformed brings Paul Schrader’s career to a full circle, with both strong Bressonian and Taxi Driver influences.
Shawn Glinis reviews the two films he saw on the Monday of SXSW: Bo Burnham’s Eighth Grade and Bart Layton’s American Animals.
Amy Adrion’s must-see documentary HALF THE PICTURE features many prominent women filmmakers who open up about their experiences with discrimination in Hollywood.
In Gus Edgar’s final rundown of the films of the Berlinale, he reviews Die Tomorrow, Ága, Human, Space, Time and Human, In The Aisles and more.
In this report from the Berlinale in Berlin, Germany, Gus Edgar reviews Golden Bear winner Touch Me Not, Chinese film An Elephant Sitting Still, Soderbergh’s Unsane and more.
Gus Edgar reports from the Berlinale in Berlin with reviews of Pig, Don’t Worry, He Won’t Get Far On Foot, Season of the Devil, 7 Days in Entebbe and U-July 22.
In this report from day 3 and 4 at Berlinale 2018, we cover Dovlatov, Eva, Transit, Our House, The Real Estate and Jahilya.
SXSW Review: SORRY TO BOTHER YOU: Boots Riley’s Absurdist, Existential, Surreal, Anti-Capitalist Sci-Fi Masterpiece Of A Debut
It’s hard to describe what Boots Riley’s debut, Sorry To Bother You, is actually about, because it is trippy, all over the place, and absolutely brilliant. You need to see it.